• For Gothamist, George Bodarky talks with Maria “Toofly” Castillo, a trailblazing girl graffiti artist in New York Metropolis:

I observed that I used to be form of creating an space the place extra girls may be a part of and really feel secure as a result of it was laborious and harsh for us to develop up round a male-dominated scene that felt very robust and tough. The environments we painted in weren’t secure at instances, there have been darkish alleys or identical to darkish nights. The blokes favored to climb fences and get chased by canines. I keep in mind being beneath a prepare station, like these had been harmful conditions the place lots of people have died. And in order that fully modified after we girls began to color as a result of we had been creating secure areas the place girls may come and in addition younger individuals and transgenerational communities and multicultural communities.

  • “Who will get to write down about homosexual males?” Eli Cugini digs into this thorny query for Dazed, amidst the discharge of exhibits and movies like Heartstopper and Crimson, White & Royal Blue that characteristic homosexual males however don’t appear to be created for them as viewers:

Seeing that media cycle felt consultant of how consuming tales about hyper-palatable, cute boys in love doesn’t imply that you just’ve carried out the work to unpick extra deep-seated homophobia. Plus, these exhibits are hardly ever focused on depicting homophobia as extra advanced than blunt, cartoonish bullying, which viewers will possible not see themselves as complicit in. It’s not laborious to be in opposition to a big-eyed homosexual teenager being assaulted. It’s more durable to oppose barbed little homophobic feedback wrapped in believable deniability.

That being stated, I’m not so positive the problem persistently lies with the gender of the creator. Judging from my days within the fujoshi mines (a half-pejorative Japanese time period for girls who’re followers of homosexual male content material), girls are completely able to depicting good homosexual intercourse and romance, and I most likely realized half the usable homosexual lexicon from some 60,000-word M+-rated fanfiction monstrosity by KLAINE_GIRLY_93. Homosexual males should not inaccessible, mysterious creatures. So long as they’ve carried out some analysis, the worst that your given respectable fanfiction author might be responsible of is getting a tad overexcited concerning the prostate, and it’s hardly just like the prostate has an excessive amount of good PR as of late.

  • Lane Brown reviews for Vulture on the rot in Rotten Tomatoes, together with PR companies buying constructive evaluations and disincentivizing unfavourable ones:

Whereas most film-PR corporations intention to get the eye of critics from prime publications, Bunker 15 takes a extra bottom-up method, recruiting obscure, typically self-published critics who’re however a part of the pool tracked by Rotten Tomatoes. In one other break from normal apply, a number of critics say, Bunker 15 pays them $50 or extra for every assessment. (These funds should not sometimes disclosed, and Rotten Tomatoes says it prohibits “reviewing brd on a monetary incentive.”)

In October of that yr, an worker of the corporate emailed a potential reviewer about Ophelia: “It’s a Sundance movie and the sensation is that it’s been handled a bit harshly by some critics (I’m positive sky-high expectations had been the perpetrator) so the groups concerned really feel like it could profit from extra enter from completely different critics.”

  • Shining a light-weight on the methods distant work supplies caregivers a possibility to steadiness their duties at residence, Stephanie H. Murray writes for the Atlantic:

The enchantment of distant work is all too typically glossed over as a matter of “high quality of life” or “work-life steadiness.” These are, after all, necessary. However that framing additionally ignores the uncompensated caregiving that Vigil and hundreds of thousands of others present for America’s younger, sick, aged, and disabled. Their efforts should not only a quality-of-life situation; they’re an enormously necessary and ignored a part of our economic system. For lots of caregivers, telecommuting permits them to handle a workload that’s, if something, method too massive. Distant work, then, isn’t only a query of work-life steadiness; it’s a query of work-work steadiness. The standard conception of “productiveness” doesn’t account for this.

  • For Vox, journalist Prachi Gupta picks aside the anti-Black, classist, casteist logic of Republican presidential candidate Vivek Ramaswamy, whose obnoxious politics stem from an extended historical past of rich Indian-American help for the mannequin minority fable:

Indian People like Ramaswamy, who’s Hindu and Brahmin, have gained prominence inside the context of this fable: In a bit over a era, Indians have emerged because the wealthiest and most educated immigrant group within the nation. The story of this subcommunity’s outlier success fuels the trope Republican Georgia Rep. Wealthy McCormick summarized in remarks about his Indian constituents to Congress in January: “They’re amongst the highest producers, and they don’t trigger issues. They observe legal guidelines. They don’t have the issues that we see different individuals have … as a result of they’re the best, most family-oriented, and the most effective of what represents Americans.”

  • Tech author Paris Marx blogs about generative AI artwork by way of the lens of pioneering creator Ursula Ok. Le Guin for the Disconnect Substack:

ChatGPT can not think about freedom or options; it may solely current you with plagiarized mash-ups of the info it’s been educated on. So, if generative AI instruments start to type the muse of artistic works and much more of the opposite writing and visualizing we do, it would additional slender the probabilities on supply to us. Simply as earlier waves of digital tech had been used to deskill staff and defang smaller rivals, the adoption of much more AI instruments has the facet impact of additional disempowering staff and giving administration even additional management over our cultural tales.

As Le Guin continued her speech, she touched on this very level. “The revenue motive is usually in battle with the goals of artwork,” she defined. “We dwell in capitalism, its energy appears inescapable — however then, so did the divine proper of kings. Any human energy may be resisted and altered by human beings. Resistance and alter typically start in artwork. Fairly often in our artwork, the artwork of phrases.” That’s precisely why billionaires within the tech trade and past are so focused on additional curbing how our phrases can be utilized to assist gasoline that resistance, which might inevitably place them within the line of fireside.

  • Because the strike in Hollywood continues, Linda Codega reviews for Gizmodo that the Supernatural showrunner has but to obtain residual funds from Netflix, which nonetheless has the audacity to proceed elevating its bundle costs:

Simply let that sink in. Supernatural, which has persistently damaged into the highest 10 most watched exhibits on Netflix (for a lot of causes, however certainly one of which is actually the extremely large fandom the present nonetheless enjoys), has by no means as soon as benefited its creator. And if Kripke isn’t getting residuals, you’ll be able to safely assume that the quite a few gifted writers and administrators who labored on the present for a decade and a half are actually not seeing something both.

  • And simply in time for Armory week, a reminder to be type and solely break up along with your artwork flings in entrance of a portray they don’t like:

Required Studying is printed each Thursday afternoon, and it’s comprised of a brief listing of art-related hyperlinks to long-form articles, movies, weblog posts, or picture essays value a re-examination.